Dying cowboys and double basses

Like the 19th century prairie, recording is a strange blend of high stress, fun and the beauty of being completely in the moment. The stress is in making something semi-permanent and paying for studio time, and the beauty lies in a dedicated time and space centred on sound and capturing the music. So it’s an absolute treat to take out the stressful part and record on a whim without any risk (read: cost) or outcome (read: album to release), which is exactly what I did a week or so ago.

This is how it happened:

Rex: “Hey Amie, do you want to record some stuff at The Main Bar sometime?”

Amie: “I’d love to. How about Wednesday night?”

Rex: “Cool. Let’s do it.”

So we did. Twas a great night recording some songs with piano, uke and double bass. No stress because it didn’t matter if we got any good recordings out of it or not. The funny thing is a lot of went quite well!

Here’s a sample: Bury Me Not On The Lone Prairie

 

Crème de Mémoire – Amie Brûlée’s new CD is now available

I’ve just picked it up from the printers and it looks très chic in that special brûlée blue. There are eleven tracks of fabulous French songs sung by Amie with Bruce Millar playing guitar, and I do think it sounds best with a glass of champagne and some delicious cheese.

If you’d like to purchase a copy ($20) send me an email and we’ll work out the easiest way of getting it to you.

A plus, Amie